The Saturday recital has started with a sonata by Brahms [...] and ended with a Sonata Kreutzer by Beethoven, which represents one of the most glorious pieces from the George Enescu repertoire. I heard him play it so many times, that the piece is intimately connected to the violin, to the fiddlestick and to his physical presence. How could I describe the serene sobriety, the introverted sadness, the noble melancholy, the admirable Beethovenian melancholy that George Enescu makes us feel with this old sonata which becomes new each time he plays it?”